Plate armours

When constructing a piece of armor, I pay special attention to aesthetic qualities, maintaining full mobility.

Staying true to the style of the era, I make sure that the technical solutions in the construction itself are also appropriate for the period.

With elements of plate armor, I basically eliminated welding.

Depending on the dating and purpose of the armor, I offer very different surface finishes – I can advise on this if necessary.

Plate armours

For each product there is a choice of surface type.

Breastplate 57

Breastplate based on graphical representation of altar in Pistoia cathedral. It is dated on year 1371. It is made of 2,0mm thick steel, faulds 1,2mm.

SEE MORE

Couters 20

Couters, second half of 15th century. It is 1,5mm thick. This product is non-welded. Surface hammered, sanded, hammering marks (6*), additionaly there are some file

SEE MORE

Couters 19

The elbow protection from the 14th century iconography. Made of 1.5mm thick steel. Surface is hammered and blackened with a bees wax (*5). This product

SEE MORE

Couters 18

The elbow protection from the 14th century iconography. Made of 1.5mm thick steel. Surface is hammered and blackened with a bees wax (*5). This product

SEE MORE

Couters 17

Couters, second half of 15th century. It is 1,5mm thick. This product is non-welded. Surface hammered and slighty polished, hemmering marks (7*).

SEE MORE

Couters 16

Couters, second half of 15th century. It is 1,5mm thick. Surface is hammered and blackened with a bees wax (*5). This product is non-welded.

SEE MORE

Couters 15, steel C45

Couters, second half of 15th century. It is 1,5mm thick. Material used to make it is tool steel C45. Surface is hammered and sanded, there

SEE MORE

Couters 14

Couters, second half of 15th century. It is 1,5mm thick. Surface is hammered (*4). This product is non-welded.

SEE MORE

Couters 13

The late gothic protection of the elbow from the end of the 15th century. These large couters were popular in Switzerland. Inspired by the iconography

SEE MORE

Surface nr 2

The whole is hammered, and then sanded and polished by hand.

Surface nr 3

The whole is hammered, and then sanded and mirror polished.

Surface nr 4

Surface hammered.

Surface nr 5

Surface hammered, blackened with beeswax.

Surface nr 6

Surface hammered, sanded, hammering marks.

Surface nr 7

Surface hammered and slighty polished, hemmering marks.