Helmets

I make helmets from sheet metal with thicknesses: 1.5, 2.0, 2.5. I use different types of surface finish.

As a standard, I make helmets without an insert. On request, I can make a hand-sewn linen insert, or a leather insert.

The price of the presented helmets is given without chainmail elements, unless otherwise stated. Spike elements can be ordered additionally, through me. I cooperate with leading Polish manufacturers on this subject.

Helmets

For each product there is a choice of surface type.

Helmet, steel C45

Late pot helmet, inspired by findings from Bolanzo, Italy. It is dated around 1300 year. It is made of tool steel C45. The “bottom” is

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Helmet 213, one piece

Kettlehat made of one piece of steel, it is based on preserved original from second half of 15th century. Base material is 2,5mm thick steel.

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Helmet 203, one piece

The shape of the helmet is inspired by Memling’s depictions from the late 15th century. The capalin was made from two pieces of steel, the

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Helmet 195

The kettle helmet made on the basis of a preserved artifact from the turn of the 14th/15th century, the original is exhibited in a museum

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Helmet 215, one piece

English sallet based on Coventry sallet (1460). High bowl with the tip is characteristic for french fashion. The bowl is made of one piece of

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Helmet 187

Kettle hat inspired by European iconography of 14th/15th century. Welded version. Steel sheet of 2,0mm and 1,5mm (brim) thickness. On request, I can make this

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Helmet 214, one piece

Sallet made of one piece of steel, it is based on preserved original from second half of 15th century. Base material is 2,5mm thick steel.

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Helmet 185, one piece

The kettle helmet from the first half of the 13th century. It’s made on the basis of the preserved artifact and iconography. The headpiece is

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Helmet 179, one piece

Kettlehat made of one piece of steel, it is based on preserved original from second half of 15th century. Base material is 2,5mm thick steel.

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Helmet 198, one piece

A copy of a surviving helmet (Wallace Collection a82). The original has been preserved in excellent condition in its original painting. This copy was painted

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Surface nr 2

The whole is hammered, and then sanded and polished by hand.

Surface nr 3

The whole is hammered, and then sanded and mirror polished.

Surface nr 4

Surface hammered.

Surface nr 5

Surface hammered, blackened with beeswax.

Surface nr 6

Surface hammered, sanded, hammering marks.

Surface nr 7

Surface hammered and slighty polished, hemmering marks.